Book
Pretty as a picture : a novel / Elizabeth Little.
Marissa Dahl, a shy but successful film editor, travels to a small island off the coast of Delaware to work with the legendary--and legendarily demanding--director Tony Rees on a feature film with a familiar logline. Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories. But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace . . .
Record details
- ISBN: 9780670016396 (hardcover)
- ISBN: 067001639X (hardcover)
- Physical Description: 338 pages ; 24 cm
- Publisher: New York : Viking, [2020]
Search for related items by subject
| Genre: | Thrillers (Fiction) > Fiction. Humorous fiction. |
Available copies
- 1 of 1 copy available at Wayne/Pike Local Consortium.
Holds
- 0 current holds with 1 total copy.
Other Formats and Editions
Show Only Available Copies
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
|---|---|---|---|---|---|
| Wayne County Public Library | MYS LIT (Text) | 31843001256888 | Mystery | Available | - |
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| 245 | 1 | 0. | ‡aPretty as a picture : ‡ba novel / ‡cElizabeth Little. |
| 263 | . | ‡a2002 | |
| 264 | 1. | ‡aNew York : ‡bViking, ‡c[2020] | |
| 300 | . | ‡a338 pages ; ‡c24 cm | |
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| 520 | . | ‡aMarissa Dahl, a shy but successful film editor, travels to a small island off the coast of Delaware to work with the legendary--and legendarily demanding--director Tony Rees on a feature film with a familiar logline. Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories. But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace . . . | |
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